Neal McDonough Takes a Stand for Meaningful Cinema
Neal McDonough doesn’t mince words when it comes to the state of Hollywood. Chatting about his latest film, The Last Rodeo, he argues the industry has ditched heartfelt storytelling in favor of dazzling effects and surface-level drama. That’s not what drew him to acting and writing—and he hopes this new film will remind audiences what real storytelling looks like.
So why does McDonough feel Hollywood has gone off the rails? He sees too many films focusing on shock value, big budgets, and controversy, but leaving us with forgettable stories. Instead of connecting us, he says, these movies divide or simply dazzle without leaving a lasting impression. For him, a movie should move hearts, stir the soul, and spark conversations that matter—something he believes is missing from a lot of recent blockbusters.
The Last Rodeo: More Than Just Bull Riding
Enter The Last Rodeo. McDonough not only stars but helped write the story. It’s directed by Jon Avnet, a filmmaker known for weaving human issues into cinematic moments. The story follows Joe Wainright, an ex-rodeo champion who’s been beaten up by life and regrets. When his grandson gets into trouble, Joe sees one last chance to patch up his mistakes and reunite with his estranged daughter, played by Sarah Jones.
This isn’t just a typical sports comeback tale. Sure, there’s bull riding, but the real action happens in tough family conversations, honest soul-searching, and moments of gut-wrenching courage. The script doesn’t run from questions of faith, legacy, and forgiveness. Instead, it embraces them head-on. Joe’s journey asks viewers to think about what they’d risk to help family—and whether old wounds can actually heal.
McDonough teamed up with co-writer Derek Presley (who knows how to build tension) and brought in a cast that surprises even movie buffs: Mykelti Williamson and Christopher McDonald join the lineup, and McDonough’s wife, Ruve, appears as well. The film found its footing in Oklahoma, with real rodeo settings lending gritty authenticity.
The choice of distributor, Angel Studios, also matters here. Known for pushing out projects with big heart and clear messages, they seem a natural fit for a drama built around trust, faith, and second chances. Mark your calendar for May 23, 2025—McDonough is betting that audiences are hungry for films that echo their own hopes and struggles.
He’s not just making a movie—he’s challenging his own industry to hit pause on spectacle and rediscover the power of a story fueled by universal values. Will Hollywood pay attention? Only time will tell, but McDonough is clearly throwing his hat into the ring and asking viewers to expect more from the next wave of films.
4 Comments
Krishna A
May 26, 2025 AT 08:00 AMHollywood? More like Hollywood-ly lies. They don't care about stories. They care about trending hashtags and who got paid the most. I saw a trailer last week where the villain had a 10-minute fight scene but couldn't say 'I'm sorry' without a CGI explosion. This movie sounds like a ghost from 1998. Good.
Jaya Savannah
May 26, 2025 AT 19:15 PMi mean… i’m so tired of ‘meaningful stories’ being code for ‘slow as molasses and full of prayer scenes’ 😅 but honestly? i’m weirdly excited for this. maybe it’ll make me cry in public like that one time i watched ‘the pursuit of happyness’ on the metro. 🤫🙏
Sandhya Agrawal
May 27, 2025 AT 05:29 AMThey picked Angel Studios because they know the government is pushing this as soft propaganda. You think this is about family? It’s about conditioning people to accept authoritarian values under the guise of ‘legacy’ and ‘forgiveness’. Watch for the hidden symbols in the rodeo arena. The number of fence posts? Not random.
Amar Yasser
May 28, 2025 AT 18:08 PMthis is exactly the kind of movie i’ve been waiting for. no cap. i’m tired of being fed noise. give me real people, real pain, real redemption. count me in. gonna grab my grandpa and watch it together. he’s gonna cry. i’m gonna cry. we’ll both feel better after.